Fun to watch! A lot to think about, especially in light of 1/6. The film became contemporary, more than a historical movie from 1962. Not sure how its message related to its time. Not the same thesis as High Noon, but likewise relevant to a time of social, political and existential jeopardy. As of today – indeed, yesterday in the news – spot on. Specifically, voter intimidation:
A lawless movement seeking hegemony by any means! Like now!
It’s obvious that, as High Noon was for 1952, this was a message film for its 1962 audience. A Black man and Hispanics can attend school together with whites, but the Black can’t drink, and since he stays outside during the voting, presumably he can’t vote. I wonder why the story didn’t let Pompey take the drink? Did the film want him to take it. Did the film want the audience to want him to? I hope they did. I sure did!
Interesting political choice by the newspaper editor: The legend would put a stop to Stewart’s ambition – his disappointment was palpable – but, the truth would set him free.
Great supporting cast. No way to not love Andy Devine. Took a long time to recognize Edmund O’Brien. Thought of White Heat, “See ma, top of the world!”
I had been hoping that Pompey shot Valance.
Wonderful film!
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